{"id":178425,"date":"2016-08-25T17:30:54","date_gmt":"2016-08-25T17:30:54","guid":{"rendered":"https:\/\/www.meydan.tv\/article\/21-ci-esrin-100-en-yaxsi-filmi\/"},"modified":"2016-08-25T17:30:54","modified_gmt":"2016-08-25T17:30:54","slug":"21-ci-esrin-100-en-yaxsi-filmi","status":"publish","type":"post","link":"https:\/\/www.meydan.tv\/az\/article\/21-ci-esrin-100-en-yaxsi-filmi\/","title":{"rendered":"21-ci \u0259srin 100 \u0259n yax\u015f\u0131 filmi"},"content":{"rendered":"

\n
\n
\n BBC-nin 100 \u0259n yax\u015f\u0131 film siyah\u0131s\u0131nda iki rus, bir t\u00fcrk filmi d\u0259 var
\n <\/b>
\n <\/i>\n<\/p>\n

\n BBC-nin m\u0259d\u0259niyy\u0259t b\u00f6lm\u0259sinin redaktorlar\u0131 XXI \u0259srin 100 \u0259n yax\u015f\u0131 filminin siyah\u0131s\u0131n\u0131 haz\u0131rlay\u0131b. Bu m\u0259qs\u0259dl\u0259 onlar h\u0259r qit\u0259d\u0259n \u2013 Antarktida istisna- 177 kinot\u0259nqid\u00e7iy\u0259 m\u00fcraci\u0259t ed\u0259r\u0259k, \u00f6z siyah\u0131lar\u0131n\u0131 haz\u0131rlamalar\u0131n\u0131 ist\u0259yibl\u0259r. Sor\u011fuda i\u015ftirak ed\u0259n t\u0259nqid\u00e7il\u0259rin aras\u0131nda q\u0259zet v\u0259 jurnallara resenziya yazanlar, saytlarda yeni filml\u0259r haqq\u0131nda q\u0131sa m\u0259lumatlar ver\u0259nl\u0259r d\u0259 var, kinoakademikl\u0259r d\u0259.\n<\/p>\n

\n \u018fvv\u0259ld\u0259n dem\u0259k laz\u0131md\u0131r ki, siyah\u0131n\u0131n \u0259n ba\u015f\u0131nda
\n
\n David Lynch
\n <\/b>
\n -in \u0259fsan\u0259vi psixoloji-trilleri “Mulholland dalan\u0131” filmi g\u0259lir.\n<\/p>\n

\n Sor\u011funun \u015f\u0259rtl\u0259rin\u0259 g\u00f6r\u0259 siyah\u0131ya yaln\u0131z 2000-ci ild\u0259n bu g\u00fcn\u0259 q\u0259d\u0259r \u00e7\u0259kil\u0259n filml\u0259r daxil edilm\u0259liydi. V\u0259… budur! Siyah\u0131 art\u0131q kinomanlar\u0131n ixtiyar\u0131na verilib.\n<\/p>\n

\n Do\u011frusu, siyah\u0131ya baxanda adama el\u0259 g\u0259lir ki, respondentl\u0259r 2000-ci ild\u0259n bu yana \u00e7\u0259kilmi\u015f v\u0259 bu v\u0259 ya dig\u0259r festivallarda hans\u0131sa m\u00fckafat alm\u0131\u015f b\u00fct\u00fcn filml\u0259ri sadalay\u0131blar. N\u0259z\u0259r\u0259 alsaq ki, festivallarda se\u00e7im h\u0259r zaman obyektiv olmur, onda siyah\u0131dak\u0131 b\u0259zi filml\u0259r d\u0259 onun obyektivliyini \u015f\u00fcbh\u0259 alt\u0131na al\u0131r.\n<\/p>\n

\n Bununla bel\u0259 kinomanlar siyah\u0131da \u00f6zl\u0259ri \u00fc\u00e7\u00fcn maraql\u0131, h\u0259m rejissura, h\u0259m dramaturgiya, h\u0259m d\u0259 m\u00f6vzu bax\u0131m\u0131ndan dahiyan\u0259 say\u0131lacaq, nec\u0259 dey\u0259rl\u0259r, m\u00fctl\u0259q bax\u0131lmal\u0131 filml\u0259r tapa bil\u0259rl\u0259r.\n<\/p>\n

\n M\u0259s\u0259l\u0259n, \u0130ran rejissoru, m\u0259rhum
\n
\n Abbas Kiarostami-nin
\n <\/b>
\n \u00a0\u201cOn\u201d (\u201cTen\u201d) filmi kimi. Rejissorun \u00f6z\u00fc t\u0259r\u0259find\u0259n yaz\u0131lm\u0131\u015f, on ki\u00e7ik novelladan ibar\u0259t bu filmd\u0259 b\u00fct\u00fcn hadis\u0259l\u0259r yol ged\u0259n avtomobilin i\u00e7ind\u0259 ba\u015f verir. \u0130nsan\u0131n \u00f6z h\u0259yat\u0131na s\u0259yah\u0259tind\u0259n – \u00f6z\u00fcn\u00fcd\u0259rkd\u0259n, d\u0259y\u0259rl\u0259rind\u0259n b\u0259hs el\u0259y\u0259n \u201cOn\u201d filmi \u00f6z \u00fcslubu il\u0259 h\u0259l\u0259 d\u0259 t\u0259rav\u0259tlidi v\u0259 \u00f6z\u00fcnd\u0259n sonra g\u0259l\u0259n y\u00fczl\u0259rl\u0259 film\u0259 m\u0259nb\u0259 olub.\n<\/p>\n

\n Ya da m\u0259s\u0259l\u0259n,
\n
\n Lars von Trier-in
\n <\/b>
\n \u00a0\u201cDogville\u201d filmi. Bu dahi Danimarka rejissoru c\u0259sar\u0259tli rejissor h\u0259lli il\u0259 \u2013 real dekorasiyalardan imtina ed\u0259r\u0259k, hadis\u0259l\u0259ri \u0259vv\u0259ld\u0259n-ax\u0131ra \u015f\u0259rti m\u0259kanda qurmaqla el\u0259 ilk saniy\u0259d\u0259n tama\u015fa\u00e7\u0131n\u0131n diqq\u0259tini ekranlara kilidl\u0259m\u0259yi bacar\u0131b. Zahird\u0259 geni\u015flik, s\u0259rh\u0259dsizlik t\u0259\u0259ss\u00fcrat\u0131 do\u011furan m\u0259kanla (evl\u0259rd\u0259n tutmu\u015f qap\u0131lara q\u0259d\u0259r h\u0259r \u015fey t\u0259ba\u015firl\u0259 \u00e7\u0259kilib) k\u00fctl\u0259 psixologiyas\u0131n\u0131n, balaca insan kompleksl\u0259rinin yaratd\u0131\u011f\u0131 m\u0259n\u0259vi m\u0259hdudiyy\u0259tl\u0259rin kontrast\u0131n\u0131 yaradan rejissor m\u0259rh\u0259m\u0259t hissini analiz edib, Amerikan\u0131n puritan c\u0259miyy\u0259tini, onun saxta humanizmi \u00e7ox g\u00f6z\u0259l \u00e7atd\u0131ra bilib.\n<\/p>\n

\n \u0130ranl\u0131 rejissor
\n
\n Asghar Farhadi-nin
\n <\/b>
\n \u00a0\u201cBo\u015fanma\u201d (\u201cSeparate\u201d) filmi d\u0259 XXI \u0259srin m\u00fctl\u0259q bax\u0131lmal\u0131 olan filml\u0259ri s\u0131ras\u0131nda ilk yerl\u0259rd\u0259di. \u018f.Farhadi Kiarostami, Mohsen Makhmalbaf, Majid Majidinin beyn\u0259lxalq festivallardak\u0131 u\u011furlar\u0131ndan sonra dur\u011funluq m\u0259rh\u0259l\u0259sin\u0259 ke\u00e7\u0259n \u0130ran kinematoqrafiyas\u0131na ikinci n\u0259f\u0259s, yeni h\u0259yat ver\u0259n, onu \u0259vv\u0259lki zirv\u0259sin\u0259 qald\u0131ran rejissordu. \u201cBo\u015fanma\u201d filmind\u0259 Farhadi d\u00f6rd n\u0259f\u0259rd\u0259n ibar\u0259t ki\u00e7ik bir ail\u0259nin \u015f\u0259xsi probleml\u0259ri, m\u00fcnasib\u0259tl\u0259ri fonunda b\u00fct\u00f6v c\u0259miyy\u0259tin sosial, siyasi, ictimai probleml\u0259rini s\u0259rgil\u0259yib.\n<\/p>\n

\n Siyah\u0131da h\u0259m\u00e7inin rus rejissoru
\n
\n Andrey Zvyagintsev-in
\n <\/b>
\n \u00a0\u201cQay\u0131d\u0131\u015f\u201d, \u201cLeviafan\u201d, t\u00fcrk rejissoru
\n
\n \u00a0Nuri Bilg\u0259 Ceylan-\u0131n
\n <\/b>
\n \u00a0\u201cBir zamanlar Anadoluda\u201d, Avstriya rejissoru
\n
\n Michael Haneke-nin
\n <\/b>
\n \u00a0\u201cSevgi\u201dsi kimi g\u00f6z\u0259l filml\u0259r d\u0259 var..\n<\/p>\n

\n BBC-nin t\u0259rtib etdiyi XXI \u0259srin 100 \u0259n yax\u015f\u0131
\n
\n \u00a0filminin siyah\u0131s\u0131n\u0131
\n <\/a>
\n \u00a0Oxu zal\u0131 t\u0259qdim edir.\n<\/p>\n<\/p>\n

\n 1 Mulholland Drive (David Lynch, 2001)\n<\/p>\n

\n 2 In the Mood for Love (Wong Kar-wai, 2000)\n<\/p>\n

\n 3 There Will Be Blood (Paul Thomas Anderson, 2007)\n<\/p>\n

\n 4 Spirited Away (Hayao Miyazaki, 2001)\n<\/p>\n

\n 5 Boyhood (Richard Linklater, 2014)\n<\/p>\n

\n 6 Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)\n<\/p>\n

\n 7 The Tree of Life (Terrence Malick, 2011)\n<\/p>\n

\n 8 Yi Yi: A One and a Two (Edward Yang, 2000)\n<\/p>\n

\n 9 A Separation (Asghar Farhadi, 2011)\n<\/p>\n

\n 10 Inside Llewyn Davis (Joel and Ethan Coen, 2013)\n<\/p>\n

\n 11 No Country For Old Men (Joel and Ethan Coen, 2007)\n<\/p>\n

\n 12 Children of Men (Alfonso Cuar\u00f3n, 2006)\n<\/p>\n

\n 13 Zodiac (David Fincher, 2007)\n<\/p>\n

\n 14 The Act of Killing (Joshua Oppenheimer, 2012)\n<\/p>\n

\n 15 4 Months, 3 Weeks & 2 Days (Cristian Mungiu, 2007)\n<\/p>\n

\n 16 Holy Motors (Leos Carax, 2012)\n<\/p>\n

\n 17 Pan\u2019s Labyrinth (Guillermo Del Toro, 2006)\n<\/p>\n

\n 18 The White Ribbon (Michael Haneke, 2009)\n<\/p>\n

\n 19 Mad Max: Fury Road (George Miller, 2015)\n<\/p>\n

\n 20 Synecdoche, New York (Charlie Kaufman, 2008)\n<\/p>\n

\n 21 The Grand Budapest Hotel (Wes Anderson, 2014)\n<\/p>\n

\n 22 Cach\u00e9 (Michael Haneke, 2005)\n<\/p>\n

\n 23 Lost in Translation (Sofia Coppola, 2003)\n<\/p>\n

\n 24 The Master (Paul Thomas Anderson, 2012)\n<\/p>\n

\n 25 Memento (Christopher Nolan, 2001)\n<\/p>\n

\n 26 25th Hour (Spike Lee, 2002)\n<\/p>\n

\n 27 The Social Network (David Fincher, 2010)\n<\/p>\n

\n 28 Talk to Her (Pedro Almod\u00f3var, 2002)\n<\/p>\n

\n 29 WALL-E (Andrew Stanton, 2008)\n<\/p>\n

\n 30 Oldboy (Park Chan-wook, 2003)\n<\/p>\n

\n 31 Margaret (Kenneth Lonergan, 2011)\n<\/p>\n

\n 32 The Lives of Others (Florian Henckel von Donnersmarck, 2006)\n<\/p>\n

\n 33 Son of Saul (L\u00e1szl\u00f3 Nemes, 2015)\n<\/p>\n

\n 34 The Dark Knight (Christopher Nolan, 2008)\n<\/p>\n

\n 35 Crouching Tiger, Hidden Dragon (Ang Lee, 2000)\n<\/p>\n

\n 36 Timbuktu (Abderrahmane Sissako, 2014)\n<\/p>\n

\n 37 Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010)\n<\/p>\n

\n 38 City of God (Fernando Meirelles and K\u00e1tia Lund, 2002)\n<\/p>\n

\n 39 The New World (Terrence Malick, 2005)\n<\/p>\n

\n 40 Brokeback Mountain (Ang Lee, 2005)\n<\/p>\n

\n 41 Inside Out (Pete Docter and Ronnie Del Carmen, 2015)\n<\/p>\n

\n 42 12 Years a Slave (Steve McQueen, 2013)\n<\/p>\n

\n 43 Amour (Michael Haneke, 2012)\n<\/p>\n

\n 44 Melancholia (Lars von Trier, 2011)\n<\/p>\n

\n 45 Blue Is the Warmest Color (Abdellatif Kechiche, 2013)\n<\/p>\n

\n 46 Certified Copy (Abbas Kiarostami, 2010)\n<\/p>\n

\n 47 Leviathan (Andrey Zvyagintsev, 2014)\n<\/p>\n

\n 48 Brooklyn (John Crowley, 2015)\n<\/p>\n

\n 49 Goodbye to Language (Jean-Luc Godard, 2014)\n<\/p>\n

\n 50 Inception (Christopher Nolan, 2010)\n<\/p>\n

\n 51 The Assassin (Hou Hsiao-hsien, 2015)\n<\/p>\n

\n 52 Tropical Malady (Apichatpong Weerasethakul, 2004)\n<\/p>\n

\n 53 Ida (Pawel Pawlikowski, 2013)\n<\/p>\n

\n 54 Moulin Rouge! (Baz Luhrmann, 2001)\n<\/p>\n

\n 55 Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)\n<\/p>\n

\n 56 Werckmeister Harmonies (Bela Tarr and \u00c1gnes Hranitzky, 2000)\n<\/p>\n

\n 57 Zero Dark Thirty (Kathryn Bigelow, 2012)\n<\/p>\n

\n 58 A History of Violence (David Cronenberg, 2005)\n<\/p>\n

\n 59 Inglourious Basterds (Quentin Tarantino and Eli Roth, 2009)\n<\/p>\n

\n 60 Moolaad\u00e9 (Ousmane Sembene, 2004)\n<\/p>\n

\n 61 Syndromes and a Century (Apichatpong Weerasethakul, 2006)\n<\/p>\n

\n 62 Under the Skin (Jonathan Glazer, 2013)\n<\/p>\n

\n 63 Fish Tank (Andrea Arnold, 2009)\n<\/p>\n

\n 64 The Great Beauty (Paolo Sorrentino, 2013)\n<\/p>\n

\n 65 The Turin Horse (Bela Tarr and \u00c1gnes Hranitzky, 2011)\n<\/p>\n

\n 66 Spring, Summer, Fall, Winter\u2026and Spring (Kim Ki-duk, 2003)\n<\/p>\n

\n 67 The Hurt Locker (Kathryn Bigelow, 2008)\n<\/p>\n

\n 68 Carol (Todd Haynes, 2015)\n<\/p>\n

\n 69 The Royal Tenenbaums (Wes Anderson, 2001)\n<\/p>\n

\n 70 Stories We Tell (Sarah Polley, 2012)\n<\/p>\n

\n 71 Tabu (Miguel Gomes, 2012)\n<\/p>\n

\n 72 Before Sunset (Richard Linklater, 2004)\n<\/p>\n

\n 73 Only Lovers Left Alive (Jim Jarmusch, 2013)\n<\/p>\n

\n 74 Spring Breakers (Harmony Korine, 2012)\n<\/p>\n

\n 75 Dogville (Lars von Trier, 2003)\n<\/p>\n

\n 76 Inherent Vice (Paul Thomas Anderson, 2014)\n<\/p>\n

\n 77 The Diving Bell and the Butterfly (Julian Schnabel, 2007)\n<\/p>\n

\n 78 Almost Famous (Cameron Crowe, 2000)\n<\/p>\n

\n 79 The Return (Andrey Zvyagintsev, 2003)\n<\/p>\n

\n 80 The Wolf of Wall Street (Martin Scorsese, 2013)\n<\/p>\n

\n 81 A Prophet (Jacques Audiard, 2009)\n<\/p>\n

\n 82 A Serious Man (Joel and Ethan Coen, 2009)\n<\/p>\n

\n 83 A.I. Artificial Intelligence (Steven Spielberg, 2001)\n<\/p>\n

\n 84 Her (Spike Jonze, 2013)\n<\/p>\n

\n 85 Shame (Steve McQueen, 2011)\n<\/p>\n

\n 86 Am\u00e9lie (Jean-Pierre Jeunet, 2001)\n<\/p>\n

\n 87 Far From Heaven (Todd Haynes, 2002)\n<\/p>\n

\n 88 Spotlight (Tom McCarthy, 2015)\n<\/p>\n

\n 89 The Headless Woman (Lucrecia Martel, 2008)\n<\/p>\n

\n 90 Finding Nemo (Andrew Stanton, 2003)\n<\/p>\n

\n 91 Let the Right One In (Tomas Alfredson, 2008)\n<\/p>\n

\n 92 Moonrise Kingdom (Wes Anderson, 2012)\n<\/p>\n

\n 93 Ratatouille (Brad Bird and Jan Pinkava, 2007)\n<\/p>\n

\n 94 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik, 2007)\n<\/p>\n

\n 95 The Pianist (Roman Polanski, 2002)\n<\/p>\n

\n 96 The Secret in Their Eyes (Juan Jos\u00e9 Campanella, 2009)\n<\/p>\n

\n 97 Ten (Abbas Kiarostami, 2002)\n<\/p>\n

\n 98 The Gleaners and I (Agn\u00e8s Varda, 2000)\n<\/p>\n

\n 99 White Material (Claire Denis, 2009)\n<\/p>\n

\n 100 Carlos (Olivier Assayas, 2010)\n<\/p>\n

\n 101 Requiem for a Dream (Darren Aronofsky, 2000)\n<\/p>\n

\n 102 Toni Erdmann (Maren Ade, 2016)<\/p>\n","protected":false},"excerpt":{"rendered":"

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